The Sistah Vegan Project

‘Speciesism: The Movie’ | Review + Further Recommendations

Dr. A. Breeze Harper:

About Speciesism the movie.

Originally posted on The Broccoli Bulletin:

Whenever you find yourself on the side of the majority, it is time to pause and reflect.
Mark Twain

Speciesism: The Movie

Last week, on January 23rd, ‘Speciesism: The Movie’ made its Texas premiere at The Magnolia theater in Dallas. The documentary was written, directed and produced by Mark Devries, who was present at the screening.

Walking into the film, I expected an exposé about the way humans treat nonhuman animals, along with a philosophical discussion. I wasn’t wrong, but I also wasn’t expecting much humor. While I had heard that the movie had some humorous moments, I was surprised to find myself (and other attendees) truly laughing out loud several times, more than twice. Devries himself narrates the documentary, managing to articulate and raise important questions about complex and heavy issues without boring the audience. He made us laugh, without belittling the issues. For those wondering, animal abuse footage was kept to a minimum.

Speciesism: The Movie

Devries…

View original 594 more words

Dear Dr. Angela Davis….

Dear Dr. Angela Davis,

I saw you at the Farmer’s Market in Oakland, CA yesterday. I was too shy to approach you myself. However, my lovely husband convinced me to go up to you and introduce myself briefly. I know you must get scores of people each day, coming up to you. Who can blame us, as you have been an inspiration for so many!

The last time we had a brief interaction was back in February 2012, at the University of California Davis, where I was earning my PhD. You had given a talk as part of the social justice teach-in, initiated by the university after the 2011 pepper-spray incident. I asked you to give the audience more explanation about your take on the treatment of non-human animals. I was so pleased to hear your anti-speciesist take on the suffering that goes into the production of a chicken meal. You reminded us that most people’s lack of awareness around the suffering was a dangerous sign of how our minds have been colonized by capitalism. It is rare that I find scholars who are both black feminist oriented and conscious of how speciesism is imbricated in USA capitalist moral economy. I often have felt lonely and the ‘sole’ black feminist scholar who understands how both anti-capitalism and anti-speciesism do, and must, fit into social justice scholarship and activism.

Yesterday, I didn’t think you would remember me; but, you said that you did. I wish I had had a copy of Sistah Vegan on me to give to you, as I am sure you would enjoy it. Though we may never meet in person again, I just wanted to let you know that you have made a tremendous impact on my life and I know for a fact that my children will feel that impact. The photo of you, me, and my youngest newborn daughter Kira Satya is a moment I will treasure forever.

Kira Satya Harper-Zahn (2 months old), Breeze Harper, and Dr. Angela Davis. Jan 25, 2014. Grand Lake Farmer's Market, Oakland, CA.

Kira Satya Harper-Zahn (2 months old), Breeze Harper, and Dr. Angela Davis. Jan 25, 2014. Grand Lake Farmer’s Market, Oakland, CA.

On this 26th Day of January, 2014, I want to wish you a happy 70th birthday. I feel truly blessed that you were birthed into a world that truly needs a spirit such as yourself, to help transform our minds and start the necessary process of decolonization that includes both the lives of humans as well as non-human animals.

Best,

Dr. Amie “Breeze” Harper

Going beyond “What’s your excuse [for not being skinny like me]?”

Even though this is posted Jan 26, 2014, I wrote this about a month ago.

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I have 3 kids  under the age of 5, what”s your excuse?

I have 3 kids, so whats your excuse…?

Oh wait, wrong photo… That was before I had kids. LOL.  Today I just wanted to share with you that bodies change; my body changes and I’m okay with that. I think it’s detrimental to most of our mental health and happiness to start asking ourselves or even others, What’s your excuse [for not looking a certain way]? 

I videoed myself about 5 1/2 weeks ago, and showed how my belly looked more like I was 7 months pregnant. My uterus was still huge, 10 days postpartum.  So, right now, it is December 21, 2013. I am about 7 1/2 weeks post partum. We’re going to celebrate Winter Solstice tomorrow at Limantour Beach. I will be wearing my orange bikini of course, and this is what I’ll look like.

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December 20, 2013. 7 weeks postpartum.

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December 20, 2013. 7 weeks postpartum.

Stretchy, leathery, multi-colored, post-partum pouch belly: this is after 3 full term pregnancies. My belly looks like I’m about 4 1/2 months pregnant. I have mentioned this before, but plenty of people (even those who have had babies) publicly chastise women for revealing their postpartum bellies in public if they have stretch marks, are ‘pouchy’, don’t have hard abs, etc. That’s just not cool. A fellow Sistah Vegan wrote that she posted her photo of her post-partum bikini body on Facebook and more than one friend told her that she couldn’t believe that she would display her stomach because her stomach had the typical loose skin, pouchy, discolored look that most post-partum bellies look like. Wow, why would you tell your friend that and what exactly is wrong with anyone being out wearing their bikini with their unique and changing body type, period? My husband bought me this bathing suit 8 years ago. The first photo at the beginning of this post was from 2005 and the first day I wore it. It was my birthday present.

My bikini and I have been through three pregnancies, to Mexico, Italy, Plum Island, and California to name a few.  No matter what, I wear this bikini whenever I can, pre pregnancy, during pregnancy, and postpartum, whether I am 121lb with no stretch marks, or 144lb with stretch marks; whether I have a flat tummy, or have a beautifully stretched out post-partum belly, you can’t take me away from wearing my bikini!

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Fall 2013, pregnant with #3.

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Fall 2013, pregnant with baby 3.

In Mexico, Jan. 2012 with Eva Luna. 5.5 months post partum.

In Mexico, Jan. 2012 with Eva Luna, baby #2. 5.5 months post partum.

When in Mexico (see above) , I looked about four months pregnant and I didn’t care. Anyway, the point of my blog post is to basically share that all our bodies change, we all live our unique lives and situations and shouldn’t be bullying anyone about ‘What’s your excuse’? It’s just plain rude, unmindful, and cruel. Most likely, my body will never look like it did before I had babies, but I just thought it was important for me to share that this is what it looks like now, and despite being trained in this US culture to hide it and be ashamed of it, or have to answer to certain people who demand, “What’s your excuse for [not looking like me], I have 3 kids under the age of 4?”

Back in 2012, I wrote a comical blog piece about how most of us women who have had babies, can look like Beyoncé, several months after giving birth. Click here (Look Like Beyonce at Giving Birth) for a little laugh.

Artist Sarah Juanita Dorsey on Black Lesbian Experience, Class, and Race in Cover Art Inspiration for Scars

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Sarah Juanita Dorsey created the artwork (see above) that will grace the cover of my new book Scars: A Black Lesbian Experience in Rural White New England (Sense Publishers, 2014). Below is a 5 minutes video that explains Dorsey’s inspiration behind the gorgeous and intricate work of art. I am psyched that the cover was designed by a like-minded woman of color and that her creative genius so well suits the protagonist of Scars, Savannah Penelope Sales.

More about Scars

I have signed a contract with Sense Publishers to publish the book Scars for 2014. Sense Publishers is the perfect press for Scars.  They embody exactly what I would like my novel to achieve. Below is a description of this publisher’s social fiction series of which Scars will be included:

“The Social Fictions series emerges out of the arts-based research movement. The series includes full-length fiction books that are informed by social research but written in a literary/artistic form (novels, plays, and short story collections). Believing there is much to learn through fiction, the series only includes works written entirely in the literary medium adapted. Each book includes an academic introduction that explains the research and teaching that informs the book as well as how the book can be used in college courses. The books are underscored with social science or other scholarly perspectives and intended to be relevant to the lives of college students—to tap into important issues in the unique ways that artistic or literary forms can.” 

-Patricia Leavy, PhD

Below is the full Preface for Scars. However, before you read the preface, I wanted to share this next tidbit withyou. The title of this blog piece, “The Black Queer Experience is Not ‘Our’ Experience”, was inspired by an email I received a few days ago from a Black identified Christian woman who had found out about Scars. Via a long email, she ultimately let me know that the premise of Scars alienated regular Black girls like her and that it was not ‘our’ story; ‘our’ being Black people’s story or authentic way of being. Even though she has not read the book, I found it incredibly interesting and as well as heartbreaking that she sent me an email that basically let me know she was disappointed in this new project. She sincerely thinks that the book’s main character (a Black teen lesbian) is too ‘controversial’ and ‘edgy.’ Hence, ‘regular’ Black girls like her (heterosexual) were being marginalized and she felt that I should be using my prominent voice to write about more pressing and important issues affecting the Black community. So, essentially, this book hasn’t even been published yet and I’m already receiving these types of messages. Anyway, I wanted to share that tidbit with you because I am constantly amazed by how “Blackness” and authenticity amongst Black folk is a complex and controversial issue; how we are monitored when we fall outside of being a ‘regular’ Black person (which I assume means hetero-normative and Christian identified). It is worrisome and disturbing to think that there are many Black folk who honestly feel that the queer experience is not part of our history; that we’re not part of the authentic community of Blackness in the USA. Even though this is her opinion, and the email she sent me was written respectfully and politely, it still hurt very deeply to read that. However, this is why I continue to write and do the work that I do. I feel like silence just creates more suffering and pain, so my writing becomes a platform to discuss these issues that are taboo for so many, including not just homosexuality, but also how white supremacy in the USA affects the emotional and physical health of everyone– not just people color. I welcome you read the preface to ScarsI am also hoping that if the preface strikes a chord with you would you have interest in inviting me to come and speak and create interactive discussion from Scars. Please email me at breezeharper (at) gmail (dot ) com to discuss my honorarium fees and travel requirements. Also, I am open to be interviewed for radio, tv, blogs, and other forms of media.

Preface for Scars

Scars is a novel about whiteness, racism, and breaking past the normative boundaries of heterosexuality, as experienced through eighteen year old Savannah Penelope Sales. Savannah is a Black girl, born and raised in a white, working class, and rural New England town. She is in denial of her lesbian sexuality, harbors internalized racism about her body, and is ashamed of being poor. She lives with her ailing mother whose Emphysema is a symptom of a mysterious past of suffering and sacrifice that Savannah is not privy to. When Savannah takes her first trip to a major metropolitan city for two days, she never imagines how it will affect her return back home to her mother… or her capacity to not only love herself, but also those who she thought were her enemies.  Scars is about the journey of friends and family who love Savannah and try to help her heal, all while they too battle their own wounds and scars of being part of multiple systems of oppression and power. Ultimately, Scars makes visible the psychological trauma and scarring that legacies of colonialism have caused to both the descendants of the colonized and the colonizer… and the potential for healing and reconciliation for everyone willing to embark on the journey.

As a work of social fiction born out of years of critical race, Black feminist, and critical whiteness studies scholarship, Scars engages the reader to think about USA culture through the lens of race, whiteness, working-class sensibilities, sexual orientation, and how rural geography influences identity consciousness. What makes this novel unique its emphasis on Black and lesbian teen experience of whiteness and racism within rural geographies. Often, interrogations of whiteness and socio-economic class are left out of fictional literature within popular LGBTQ literature. My intention with Scars is to fill this gap by creating emotionally intense dialogues among four primary characters: Savannah Penelope Sales, Davis Allen, Esperanza Perez, and Erick Roberts.

Davis Allen is one of Savannah’s best friends. A straight white male who grew up on a rural dairy farm in Savannah’s home town, Davis and Savannah have been close friends since they were toddlers. Davis is the only white friend Savannah has ever chosen to develop a close relationship with. When Davis and Savannah interact with each other, the intimacies of their conversations reveal an interesting dynamic: Davis’s perception of reality manifests from what Savannah has marked as “a privileged point of entry”: white, male, lower-middle class, and straight. Davis can never experience Savannah’s embodied experience as a Black lesbian. Growing up in a country that has institutionally legitimized whiteness and heterosexuality as ‘normal’, Davis’s white and straight identity limits him to superficially interpreting Savannah’s verbal hostility as nothing more than stereotypical “angry Black female” banter.

The second theme developed in Scars is the irreconcilable differences that Erick Roberts and Savannah endure in their rocky new platonic relationship. Erick and Savannah both identify as same gender loving, however, that is where similarities between them end. Their frequent antagonistic verbal intercourses deconstruct the common myth that being gay or lesbian means they will instantly connect emotionally to each other as comrades in the same battle against heterosexism. The exhaustive energy it takes for both to maintain their volatile relationship has it’s roots in Erick’s oblivion to the fusion of his upper-middle class status and his white male privilege when attempting to advise Savannah about being and coming out as a [Black, poor, and rural] lesbian.

The third and more subtle theme developed in Scars centers on how Savannah’s perception of oppression is positioned within a geopolitically global North perspective. Savannah never acknowledges her privilege as a USA national; only her lack of privileges as a non-white person. She considers herself revolutionary in thought in comparison to the people living in the provincial town she grew up in. Simultaneously, she has no awareness of her perpetuation of inequality outside of the USA; for example, Savannah is unaware of how many people of color outside of the USA are exploited so she buy cheap coffee, chocolate, and Coco-Cola. Esperanza Perez, a key character, is one of her best friends. Esperanza, a vegan and fair trade anti-globalization activist who originally grew up in Guatemala, visits Savannah from college. Through honest and heartfelt dialogues with Esperanza, Savannah’s oblivious understanding of her geopolitical Northern privilege is revealed. I hope to engage the reader to empathize with Savannah’s realistic struggles with “whiteness as the invisible norm in the USA,” while also addressing the need for Savannah to engage deeper into social injustice by encompassing and linking Black struggles and USA racism to a broader range of social and ecological inequalities throughout the world.

Born out of my Dartmouth College thesis social research in feminist geography, award winning Masters work at Harvard University, and my dissertation work at the University of California-Davis, Scars emphasizes how rural geographies of whiteness can impact the consciousness and young identity development of non-white youth who seemingly ‘don’t belong’ in rural settings of whiteness and hetero-normativity; yet, the reader sees during Savannah’s trip to her first major metropolitan city, she is very much out of place. Furthermore, Savannah contrasts the mainstream media stereotype that the “authentic Black experience” is from heterosexual Blacks raised in predominantly urban landscapes. Even though the critical theory in this novel has been translated into creative writing format, it is notable that Scars was significantly influenced by a strong canon of Black critical thinkers and writers stemming back to W.E.B. DuBois. My choice to title the book Scars reflects the legacy of Black anti-colonialist Frantz Fanon and his intense dedication to making visible, the psychological trauma and scarring that colonialism, white supremacy, and racism have caused to both the colonized and the colonizer. Furthermore, this book continues the traditions of bell hooks, Audre Lorde, and Octavia Butler who have written extensively about the ‘the problem of the color line.’ However unlike Fanon and DuBois’ more hetero-normative and masculinist analyses, hooks, Lorde, and Butler have complicated the ‘problem of the color line’ with intersectional analysis of gender and sexual orientation.

Scars can be used as a springboard for discussion, self-reflection and social reflection for students enrolled in American Studies, Sociology, Women’s Studies, Sexuality Studies, African American Studies, human geography, LGBTQ studies and critical whiteness studies courses, or it can be read entirely for pleasure.

-A. Breeze Harper, PhD

Chia seeds: how do I maximize their nutritional power?

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So, I have a simple question in which a Google search reveals complicated and confusing answers: how should I prepare and eat chia seeds to absorb their nutrients?

For the past three years, I soak the seeds for ten minutes in water. I have put 2 ounces in a blender with 20 oz of water and blend for 2 minutes on high. I have a Vitamix. I do this because I thought one passes seeds without absorbing anything if they are eaten whole and not ground up or chewed thoroughly.However, every where on the internet that has information about how to eat them says to eat whole. Huh?
If I wanted to eat them for fiber and hydration I get why I would eat them whole. However, the chia seed is marketed to be packed with nutrients like Omega 3, calcium, and boron, hence, I assume one absorbs those nutrients once they eat the seed grounded or milled.

What is the right way to eat chia seeds for maximum nutrition absorption?

Product Review: Earth Balance Vegan Aged White Cheddar Puffs

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Finally, a vegan white cheddar puff snack! I have not had cheese puffs, made from cow dairy, since 2005! So, Earth Balance makes a vegan one and that is pretty cool.

Pros:

They use navy beans powder for the ‘cheese’. 180 mg of sodium per serving, which isn’t bad. I hate salty things, so this was a pleasant surprise. 3g of protein per serving. A full bag has 4 servings but I can easily eat the whole thing in one sitting. They use non GMO corn and no soy.

Cons:

Earth Balance , why is your packaging not recyclable or compostable? Also, at nearly $4 a bag, I would expect all the ingredients to be organic. None are organic!

Overall, great taste, texture, and size! A nice step up from Veggie Booty, but since it is pricey, I will probably buy it a few times per year! Would buy more often if it were organic and of the company had better packaging.

What are your thoughts?

10 Things You May Not Know About Sistah Vegan

Ten Things You May Not Know About Me (Not that you asked…)

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1) Beyonce has a new album. Everyone is using social media to say how brilliant it is…also asking if she is or isn’t a ‘feminist’. [Updated Dec 17, 2013 16:55 PM PDT]. I kind of don’t care because I expect to be disappointed. For some, Beyonce  represents neoliberalism/corporate capitalism feminism that doesn’t challenge structural inequality the way black feminists such as bell hooks , Audre Lorde, and Patricia Hill Collins have defined a canon of [black] feminism……But girl know she can sing and dance and I totally LOVE the video “Single Ladies” because I think the dancing and choreography are brilliant. :-)

2) I’ve never watched a MLB baseball, NBA basketball, or NFL football game (on tv or in a stadium) in my life.  Nor do I have any desire to do so.

3) Am impartial about ‘the holidays’ and have never participated in Black Friday. I honestly don’t get the point of Black Friday. I am not comfortable receiving gifts, let alone gifts for any holidays that, for the most part, have been commercialized and exist to make CEOs richer in the USA…But I bust out the Nat King Cole xmas album every holiday season listen to it a gazillion times.

4) Have never watched Scandal or Breaking Bad. I guess it would help if I had a tv and cable I guess.

5) I wrote my first porn themed story when I was 11, yet didn’t lose my virginity until I was 25.

6) I have never had a cup of coffee nor do I wish to drink a cup of coffee. The smell of coffee has made me feel sick, since I was a child.

7) I can’t dance (despite being Black). LOL.

8) I am an agnostic and was raised in an agnostic household.

9) I use a bidet and poop with the door open (hey, how else can I monitor my newborn, 2 year old, and 4 year old?).

10) Am an introvert and am incredibly uncomfortable in social situations, but have ‘learned’ to be a better social animal.

Eating Your Own Placenta vs. Eating Another Animal’s Kidneys: How Culture Teaches Us What is Normal and What is “Gross”

Here is a quick video about some reflections during my post partum period. I’m 4.5 weeks post partum. I had an interesting experience with one of my relatives over what should be done with my placenta.

On Public Speaking about Black Lesbian Social Fiction, Alternative Black Masculinities and Vegan Hip Hop Culture

Book Project I

Scars: A Black Lesbian Experience in Rural White NewEngland (Sense Publishers, 2014)

Scars is a novel about whiteness, racism, and breaking past the boundaries of normative heterosexuality, as experienced through eighteen year old Savannah Penelope Sales. Savannah is a Black girl, born and raised in a white, working class, and rural New England town. She is in denial of her lesbian sexuality, harbors internalized racism about her body, and is ashamed of being poor. She lives with her ailing mother whose Emphysema is a symptom of a mysterious past of suffering and sacrifice that Savannah is not privy to. When Savannah takes her first trip to a major metropolitan city for two days, she never imagines how it would affect her return back home to her mother…or her capacity to not only love herself, but also those who she thought were her enemies.  Scars is about the journey of friends and family who love Savannah and try to help her heal, all while they too battle their own wounds and scars of being part of multiple systems of oppression and power. Ultimately, Scars makes visible the psychological trauma and scarring that legacies of colonialism have caused to both the descendants of the colonized and the colonizer…and the potential for healing and reconciliation for everyone willing to embark on the journey.

Book Project II

“Living Bling, Going Green”: Redefining Black ‘Manhood’ Through Hip Hop and Veganism 

(I already have a an academic press taking this book. Once I receive the contract this or next week, sign it, and then mail it back, I will officially let you know their name.)

Introduction (draft)

            Meat eating in American society has been equated with being a true man for centuries; vegetarianism and veganism have been equated with femininity (Adams 1990; Potts 2010). However over the past five years, there has been a strong emergence of males promoting veganism and vegetarianism in the USA as a ‘better’ way of being masculine or a man. Though not part of the mainstream media depictions of veganism and vegetarianism, the Black vegan Hip Hop movement reflects such alternative masculinities. How does the Black vegan Hip Hop movement offer different ways of consuming, as well as being a ‘real’ man, from race-conscious, decolonial, and health activist points of view? How do prominent Black male Hip Hop vegans use Hip Hop to teach how food and health have been negatively shaped by corporate capitalism and a meat-centered industrialized food system?; both which are seen as detrimental to, and non-sustainable for, people of color?

This book will be about how veganism is being reshaped and reformulated through ‘race-conscious’ Black American men of the Hip Hop generation.  What makes this book project unique is that mainstream vegetarian/vegan philosophies are usually represented through a white and middle class ‘post-racial’ and animal-rights oriented framework (Harper 2013); missing from this mainstream framework is the significance of how racism, whiteness, and colonialism deeply impact everyone’s relationship to, and construction of, veganism. Alternatively, Black vegan Hip Hop activists collectively engage in consumption from a ‘race-conscious’ and human-health perspective first, educating and mobilizing people of color about health disparities caused by corporate capitalism and legacies of colonialism (i.e. environmental and institutional racisms).

Methods I will be employing are narrative research (i.e. personally narrated histories of the subjects) and discursive analysis of popular Hip Hop vegan media (i.e. books, music videos, and songs). Methodologies used will most likely be drawn from the canons of critical race and decolonial studies. These canons suggest that racism and colonialism have, and continue to organize, power, resources, as well as shape the collective consciousness of the global North, including how one consumes.

Sistah Vegan Pregnancy Nutritional Method: Gifting a healthier and more holistic pregnancy and postpartum experience

Sistah Vegan would like to offer a wonderful gift idea for the 2013 holiday season: Please consider giving the gift of a healthier and more holistic pregnancy and postpartum period through the Sistah Vegan Pregnancy Nutritional Method.

If you are like most folk who have listened to mainstream media in the USA, you have heard of the sensationalized stories once or twice a year, of a mother who ‘killed’ her child ‘because’ she was vegan. If you have had interest in getting pregnant and/or having a vegan pregnancy, you may have been ‘attacked’ by supposedly loving family members and ‘concerned’ midwives or practitioners that such a diet is ‘dangerous’ and ‘irresponsible.’

These are all lies, as myself and a plethora of women and their children are living proof that a properly planned vegan pregnancy and lactation period will help you and your baby thrive. Don’t listen to the hype. Below are photos of my 2.5 year old daughter, Eva Luna. She was ‘built’ by a whole foods vegan diet. In addition, you are looking at a glowing and healthy baby in which over 85% of her ‘food’ source came from my vegan-produced breast milk, the first 13 months of her life. She was 9.5lb at birth and full term. 6 hour labor.

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You may be scared. You may be confused. Or maybe you do have the confidence to practice a vegan pregnancy, but do not know where to begin. The Sistah Vegan project is offering an on demand pre-recored webinar with powerpoint slides with the following:

* Guaranteed plant based remedy/prevention for prenatal anemia
* Learn this simple herbal remedy to prevent hemorrhoids
* Learn what simple seed can increase hydration, energy, and calcium
* Learn the top four plant based proteins essential for pregnancy
* Constipation is NOT ‘normal’, despite the myth. Learn how to poop 2-3x a day while pregnant.

You will be able to play the recordings and download notes and slides whenever you want to. In this webinar you will learn what you need to get started on your path to an amazing and fulfilling plant-based dietary pregnancy and post-partum lactation period. If you are at the end of your pregnancy but want to learn how a whole foods plant-based Sistah Vegan diet can help you produce optimal milk supply for an infant, then this webinar is also for you. In addition, post-partum hair loss is significant amongst women; many tell me that years after giving birth, they struggle with hair loss and thinning. I will teach you how a few herbs and foods can regrow and strengthen your hair.

Date: You can Download it anytime.

Cost: $25.99

How to pay and download: Click REGISTER to register, pay, and download.

Duration: 2 hours.

Technology requirements: a computer with a fast internet connection and a free Anymeeting.com (my webinars are hosted through Any meeting.com)

About the Instructor: Dr. A. Breeze Harper is a research fellow in the Dept of Human Ecology at UC Davis. She is also the director and founder of the Sistah Vegan Project, a organization dedicated to critical race feminist perspectives on veganism, as seen through the collective experiences of Black North American females. Dr. Harper started the project in 2005. She holds degrees from Dartmouth College, Harvard University, and University of California-Davis. Her innovative ability to integrate the use of educational technologies to analyze Black female vegans food and health philosophies earned her the Dean’s Award from Harvard University in 2007 for her Master Thesis work: this is an honor only bestowed upon one candidate per program.

Dr. Harper’s knowledge about diversity within the field of food and wellness has marked her as a highly sought after paid consultant and speaker for many American universities. She has given many keynote addresses including at Boston University, University of Illinois Urbana-Champaign, University of Oregon, and Southwestern University. She teaches students, faculty, and staff how and why people have unique relationships to food and wellness and how these relationships are impacted by race, socio-economic class, gender, sexuality, and ability. She has published extensively, including Sistah Vegan: Black Female Vegans Speak on Food, Identity, Health and Society (Lantern Books 2010). She graduated summa cum-laude from University of California-Davis with a PhD in critical geographies of race and food.

If you enjoy the work I have done, if it has helped you, your organization, your students, your family, etc, and you want to see it go to the next level of a non-profit social justice organization, please contribute what you can by clicking on the GOFUNDME Link below. When Sistah Vegan becomes a well supported non-profit, I hope to offer a diversity of educational material (webinars, workshops, books, articles) that guide people through ways to raise pre-school aged children on a fun and healthy plant-based diet.  If you do not want to use this method, but prefer paypal, click on the link on the right upper corner of this blog page to donate via PAYPAL.

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Disclaimer: I am not a certified practitioner or medical doctor. Please consult with your practitioner before trying any of the foods or herbs that I recommend

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