The Sistah Vegan Project

Archive for the tag “Bryant Terry”

[VIDEO] “What’s Sustainable?” Vegan and Vegetarian Black Men of Hip Hop Tell It Like it Is

 

Title: “What’s Sustainable?” Vegan&Vegetarian Black Men of Hip Hop Tell It Like it Is

Description: My talk I gave at Pacific Lutheran University on May 8, 2014 in Washington. I look at DJ Cavem, Bryant Terry, and Ashel Eldridge. Please note that my battery ran out about 10 minutes before the talk ended. This is the beginning stages of a book I am working out. It is very ‘introductory’ and I know I still have a lot more work to do. Below are the pivotal questions I am trying to answer.

  • How are black men of the hip hop generation responding to living in a nation in which structural racism, negro-phobia, speciesism, and white supremacist based moral system have been the norm since colonialism?
  • How does the Black vegan Hip Hop movement offer different ways of consuming, as well as being a ‘real’ man, from race-conscious, decolonial, eco-sustainable, and anti-specieist points of view?
  • How do prominent Black male Hip Hop vegans use Hip Hop to teach how food and health have been negatively shaped by corporate capitalism and a meat-centered industrialized food system?

“Real G’s Got Hoes”: Veganism, Black Masculinity, and Ethical Consumption(The Remix)

Here is the video to my latest talk I gave at Oberlin College a few days ago, “G’s Up Hoes Down”: Black Masculinity, Veganism, and Ethical Consumption: The Remix. Just note that am one of the rare Black folk who didn’t grow up listening to a lot of hip hop or being engaged with hip hop culture to a significant degree in the USA. I was raised in an all white and rural working class New England town Lebanon, Connecticut. I listened to classical music from European and American USA traditions (my twin was much ‘cooler’ and he listened to hip hop and rap). Hence,  there is a lot I need to learn more about Hip Hop as I continued this much needed research. You also should know that this is the beginning stages of my book research and talks on this. What does that mean? Much will change, including my analysis and how I ‘understand’ what is going on with these men’s fabulous work as I work towards finishing this project by 2016. Enjoy.

“G’s Up Hoes Down:” Black Masculinity, Veganism, and Ethical Consumption Remixed

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I’ll be giving a talk at Oberlin College at 7:30pm EST on May 2, 2014. I am super psyched because it is part of my new research for my new book. The ‘remix’ in the title was inspired by Bryant Terry’s new vegan cookbook Afro-VeganG’s Up Hoes Down was inspired by DJ Cavem’s song “G’s up hoes down.” I’ll be looking at both of these amazing men’s work.

If you can’t attend, don’t panic. I record and upload all my talks to this blog.

Title: “G’s Up Hoes Down:” Black Masculinity, Veganism, and Ethical Consumption Remixed.

Location: Oberlin College. Science Center’s Dye Lecture Hall on 119 Woodland St.

Time: 7:30pm EST

Description: Vegan mainstream rhetoric often falls into a post-racial mindset; that is, the assumption that since the Civil Rights Acts, racism and legacies of colonialism are no longer significant impediments to achieving equality in the USA. Furthermore, rarely does the vegan mainstream reflect on how structural racism shapes one’s logic, goals, and communication strategies around ethical consumption. For this lecture, Dr. Harper will explore how key Black male vegetarians and vegans are employing hip-hop methods to create race-conscious and decolonial approaches to vegetarian and vegan activism.  These men are examples of alternative black masculinities, cooking up complex and complicated models of ethical consumption, environmental justice, and nutritional activism that you won’t find in the popular PETA campaigns or the bestselling books Skinny Bitch and Skinny Bastard. 

DJ Cavem is on the Right.

Craig “Doodlebug” Irving (Left), Breeze Harper (Center), and DJ Cavem(Right)

Afro-Vegan Book Launch Party and Bryant Terry: Video of Speech and Photos.

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I love Bryant Terry’s spirit. What a truly awesome being with endless talent and dedication. At the beginning of April 2014, Terry’s book launch party for Afro-Vegan took place in Oakland, CA at Impact HUB. It was a packed house of lots of people of color supporting this brother’s 4th book. Below is the video of Bryant giving his speech, along with two other folk whose Richmond, CA work inspire him. I also attended the event with my family and took photos.

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Luna and Sun Harper Zahn.

Luna and Sun Harper Zahn basically ate kale chips 1/2 the time.

Me and Kira.

Me and Kira.

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Ashara Ekundayo.

Ashara Ekundayo.

Bryant looking 'sharp' as my mom would say.

Bryant looking ‘sharp’ as my mom would say.

Tastes of Africa Serving up Vegan yumminess.

Tastes of Africa Serving up Vegan yumminess.

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Was honored that Bryant placed my book on the alter here in front of the stage he spoke on.

Was honored that Bryant placed my book on the alter here in front of the stage he spoke on.

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I'm laughing because I asked him to sign her instead of his cookbook.

I’m laughing because I asked him to sign her instead of his cookbook.

Lucky baby. Kira has gotten to meet Angela Davis and Bryant Terry within several months of being born. :-)

Lucky baby. Kira has gotten to meet Angela Davis and Bryant Terry within several months of being born. :-)

On Public Speaking about Black Lesbian Social Fiction, Alternative Black Masculinities and Vegan Hip Hop Culture

Book Project I

Scars: A Black Lesbian Experience in Rural White NewEngland (Sense Publishers, 2014)

Scars is a novel about whiteness, racism, and breaking past the boundaries of normative heterosexuality, as experienced through eighteen year old Savannah Penelope Sales. Savannah is a Black girl, born and raised in a white, working class, and rural New England town. She is in denial of her lesbian sexuality, harbors internalized racism about her body, and is ashamed of being poor. She lives with her ailing mother whose Emphysema is a symptom of a mysterious past of suffering and sacrifice that Savannah is not privy to. When Savannah takes her first trip to a major metropolitan city for two days, she never imagines how it would affect her return back home to her mother…or her capacity to not only love herself, but also those who she thought were her enemies.  Scars is about the journey of friends and family who love Savannah and try to help her heal, all while they too battle their own wounds and scars of being part of multiple systems of oppression and power. Ultimately, Scars makes visible the psychological trauma and scarring that legacies of colonialism have caused to both the descendants of the colonized and the colonizer…and the potential for healing and reconciliation for everyone willing to embark on the journey.

Book Project II

“Living Bling, Going Green”: Redefining Black ‘Manhood’ Through Hip Hop and Veganism 

(I already have a an academic press taking this book. Once I receive the contract this or next week, sign it, and then mail it back, I will officially let you know their name.)

Introduction (draft)

            Meat eating in American society has been equated with being a true man for centuries; vegetarianism and veganism have been equated with femininity (Adams 1990; Potts 2010). However over the past five years, there has been a strong emergence of males promoting veganism and vegetarianism in the USA as a ‘better’ way of being masculine or a man. Though not part of the mainstream media depictions of veganism and vegetarianism, the Black vegan Hip Hop movement reflects such alternative masculinities. How does the Black vegan Hip Hop movement offer different ways of consuming, as well as being a ‘real’ man, from race-conscious, decolonial, and health activist points of view? How do prominent Black male Hip Hop vegans use Hip Hop to teach how food and health have been negatively shaped by corporate capitalism and a meat-centered industrialized food system?; both which are seen as detrimental to, and non-sustainable for, people of color?

This book will be about how veganism is being reshaped and reformulated through ‘race-conscious’ Black American men of the Hip Hop generation.  What makes this book project unique is that mainstream vegetarian/vegan philosophies are usually represented through a white and middle class ‘post-racial’ and animal-rights oriented framework (Harper 2013); missing from this mainstream framework is the significance of how racism, whiteness, and colonialism deeply impact everyone’s relationship to, and construction of, veganism. Alternatively, Black vegan Hip Hop activists collectively engage in consumption from a ‘race-conscious’ and human-health perspective first, educating and mobilizing people of color about health disparities caused by corporate capitalism and legacies of colonialism (i.e. environmental and institutional racisms).

Methods I will be employing are narrative research (i.e. personally narrated histories of the subjects) and discursive analysis of popular Hip Hop vegan media (i.e. books, music videos, and songs). Methodologies used will most likely be drawn from the canons of critical race and decolonial studies. These canons suggest that racism and colonialism have, and continue to organize, power, resources, as well as shape the collective consciousness of the global North, including how one consumes.

Video: “Food, Justice, and Sustainability” with/Breeze Harper,Bryant Terry, Raj Patel, Brahm Ahmadi and Nikki Henderson

Date: January 26, 2012.

Part II:

TTS Speakers Series in Oakland California. January 26, 2012. This was a near 2 hour long, friendly conversation about food, justice, sustainability amongst myself and several other cutting edge food justice activists. It is also the evening in which Bryant Terry debuted his new book “Inspired Vegan.”

WARNING: HORRIBLE ANGLE OF THE CAMERA THE FIRST 45 MINUTES, BUT THEN MY HUSBAND MOVED IT TO A BETTER PLACE. YOU CAN HEAR EVERYTHING, BUT NOT SEE EVERYTHING VERY WELL. MY BATTERY DIED AND I DIDN’T GET THE WHOLE THING, BUT MOST OF IT.

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